RED Epic W Helium 8K Digital Cinema Camera

Rent for $950.00 per day

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Description

EPIC-W carries on the legacy of the original EPIC, which became the industry workhorse upon its release in 2010. Powered by the HELIUM 8K® S35 sensor, recipient of the highest DxOMark score ever, RED EPIC-W® is capable of shooting 8K Full Format at up to 30 frames per second (fps).

At full 8K resolution EPIC-W captures 35.4 Megapixels images—delivering more detail and creative possibilities in every frame. With HELIUM sensor advancements, RED EPIC-W boasts improved low-light sensitivity and impressive dynamic range. Leveraging lightning fast data rates up to 275 MB/s, EPIC-W can record REDCODE® RAW, as well as proxy 4K Apple ProRes or Avid DNxHR—simultaneously.

Joining the DSMC2® lineup, EPIC-W benefits from the advanced modularity of the RED ecosystem and offers cable-free peripherals, an integrated mounting plate, wireless control, and compatibility with a growing supply of modules and accessories. Also featuring interchangeable OLPFs and lens mounts, RED EPIC-W provides an all new perspective with full sensor coverage and support for your arsenal of S35 glass.

Features

Specifications

SENSOR TYPE : HELIUM: 35.4 Megapixel CMOS

EFFECTIVE PIXELS: 8192 × 4320

SENSOR SIZE: 29.90 mm x 15.77 mm (Diagonal: 33.80 mm)

DYNAMIC RANGE: 16.5+ stops

MAX DATA RATES: Up to 275 MB/s using RED MINI-MAG (480GB & 960GB)

Up to 225 MB/s using RED MINI-MAG (120GB & 240GB)

MAX FRAME RATES: 30 fps at 8K Full Format (8192 × 4320), 30 fps at 8K 2.4:1 (8192 × 3456)

30 fps at 7K Full Format (7168 × 3780), 40 fps at 7K 2.4:1 (7168 × 3024)

75 fps at 6K Full Format (6144 × 3240), 100 fps at 6K 2.4:1 (6144 × 2592)

96 fps at 5K Full Format (5120 × 2700), 120 fps at 5K 2.4:1 (5120 × 2160)

120 fps at 4K Full Format (4096 × 2160), 150 fps at 4K 2.4:1 (4096 × 1728)

150 fps at 3K Full Format (3072 × 1620), 200 fps at 3K 2.4:1 (3072 × 1296)

240 fps at 2K Full Format (2048 × 1080), 300 fps at 2K 2.4:1 (2048 × 864)

PLAYBACK FRAME RATES

(PROJECT TIMEBASE): 23.98, 24, 25, 29.97, 47.95, 48, 50, 59.94, 60 fps, all resolutions

REDCODE SETTINGS:

RANGE FROM 2:1 UP TO 22:11 6:1 REDCODE for 8K Full Format (8192 × 4320) at 24 fps

7:1 REDCODE for 8K Full Format (8192 × 4320) at 30 fps

2:1 REDCODE for 4K Full Format (4096 × 2160) at 24 fps

4:1 REDCODE for 4K Full Format (4096 × 2160) at 60 fps

REDCODE RAW

ACQUISITION FORMATS2 8K Full Format (8192 × 4320), 2:1, 2.4:1, 16:9, 14:9, 8:9, 3:2, 6:5, 4:1, 8:1, and Ana 2x, 1.3x, 1.25x

7K Full Format (7168 × 3780), 2:1, 2.4:1, 16:9, 8:9, 6:5, 4:1, 8:1, and Ana 2x, 1.3x

6K Full Format (6144 × 3240), 2:1, 2.4:1, 16:9, 8:9, 3:2, 4:3, 6:5, 4:1, 8:1, and Ana 2x, 1.3x, 1.25x

5K Full Format (5120 × 2700), 2:1, 2.4:1, 16:9, 8:9, 6:5, 4:1, 8:1, and Ana 2x, 1.3x

4K Full Format (4096 × 2160), 2:1, 2.4:1, 16:9, 8:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, 1:1, and Ana 2x, 1.3x

3K Full Format (3072 × 1620), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x

2K Full Format (2048 × 1080), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x

APPLE PRORES ProRes 422 HQ, ProRes 422 and ProRes 422 LT at 4K (4096 × 2160) up to 29.97 fps

ProRes 4444 XQ and ProRes 4444 at 2K (2048 × 1080) up to 120 fps

ProRes 422 HQ, ProRes 422 and ProRes 422 LT at 2K (2048 × 1080) up to 120 fps

AVID CODECS3 DNxHR HQX at 4K (4096 × 2160) 12-bit up to 29.97 fps

DNxHR HQ, SQ and LB at 4K (4096 × 2160) 8-bit up to 29.97 fps

DNxHR 444 at 2K (2048 × 1080) 12-bit up to 120 fps

DNxHD 444 and HQX (1920 × 1080) 10-bit up to 120 fps

DNxHD HQ, SQ and LB (1920 × 1080) 8-bit up to 120 fps

CONSTRUCTION: Magnesium and Aluminum Alloy

WEIGHT: 3.35 lbs (BRAIN with Integrated Media Bay)

OPERATING TEMPERATURE: 0°C to 40°C (32°F to 104°F)

STORAGE TEMPERATURE: –20°C to 50°C (–4°F to 122°F)

RELATIVE HUMIDITY: 0% to 85% non-condensing

COLOR MANAGEMENT: Supports 33×33×33, 32×32×32, 26×26×26, and 17×17×17 3D LUTs

Variable number of 3D LUT outputs with DSMC2 expander module

User programmable shaper 1D LUTs

Tetrahedral interpolation, 16-bit processing

AUDIO: Integrated dual channel digital stereo microphones, uncompressed, 24-bit 48 kHz

Optional 2 additional channels with DSMC2 expander module, uncompressed, 24-bit 48 kHz

REMOTE CONTROL: Integrated R.C.P. WiFi antenna

Ethernet, RS232, and GPI Trigger with DSMC2 expander module

MONITOR OUTPUTS: 3G-SDI (HD-SDI) and HDMI with DSMC2 expander module

1080p RGB or 4:2:2, 720p RGB or 4:2:2

480p RGB or 4:2:2 (HDMI only)

SMPTE Timecode, HANC Metadata, 24-bit 48 kHz Audio

MONITOR OPTIONS: DSMC2 RED Touch 4.7″ LCD, DSMC2 RED Touch 7.0″ LCD and DSMC2 RED EVF (OLED) with cable-free connection.

RED Touch 9.0″ LCD, RED Touch 7.0″ LCD, RED Touch 5.0″ LCD, RED PRO 7″ LCD, BOMB EVF (OLED) and BOMB EVF (LCOS) compatible with DSMC2 LEMO Adaptor A and LCD/EVF cable.

REDCINE-X PRO

DELIVERY FORMATS: 4K: DPX, TIFF, OpenEXR (.RED via RRencode plugin)

2K: DPX, TIFF, OpenEXR (.RED via RRencode plugin)

1080p RGB 4:2:2, 720p 4:2:2 : QuickTime, JPEG, AVID AAF, MXF

1080p 4:2:0, 720p 4:2:0 : H.264, .MP4

Includes

RED Epic-W Camera Body
PL Mount w/ Port Cap
5” LCD Touchscreen
Monitor Bracket
Sidekick Side Panel LCD Display
Arri 15mm LW Baseplate
15mm Studio Bridgeplate
Dovetail Plate
(2) 15mm Steel Rods
Arri Top Plate
Arri Top Handle
Base Expander Module
Cableless AB Gold Mount
AC Power Supply w/ AC Cable
(2) RED 1B to XLR4 Power Cable
XLR4 Power Cable
RED Station Mini-Mag Reader
Camera Manual
Cable Bag:
(2) Short 15mm Rods
TC/GEN/TRIG Breakout Cable
Wooden Camera A-Box
(2) RED LCD Viewfinder Cables
(2) USB 3.0 to USB Type C Cable
USB Type C to Type C Cable
Noga Arm
3/16” Alan Wrench
T20 Torx Wrench

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